Here I describe to you some of the best sound editing programs all over       the world:

ADOBE AUDITION 2.0

 What is it?   Multi-track audio recording/editing/mastering software for Music and/or Film audio post-production on the PC.  What does it do?   Provides a full multi-track editing environment, plug-ins for processing and analyzing, loop-based editing, and surround-sound capabilities. Who would use it?   Musicians recording and mixing for formats ranging from CD to DVD-A, composing loop-based music, and TV/Film/Video professionals mixing audio to stereo or 5.1 formats. How does it sound?   32-bit precision mixing is top-notch, with excellent plug-ins that encompass all the needs of music or film/video professionals.  What is so great about it?   Has literally every feature and plug-in that is needed to fully mix a music or video project. Includes plug-ins such as noise-reduction and convolution (i.e. build-your-own-reverb) that are ordinarily only available from third-party companies. What is not so great about it?   Currently does not support ASIO. Lacks ability to import/export OMF files (becoming an industry standard). AC3/DTS encoder would be nice. Review Summary?   Audition bridges the gap between traditional multi-track audio environments, scientific audio analysis combined with sample-level editing, and the newer trend for loop-based music composition. Leaves virtually no need for additional plug-ins.

VIRTUAL DJ 3  

During this last year, we've seen computer DJing becoming more and more popular on the DJ scene.One of the things that amazed me the most is how computers changed the way people use to mix. Most computer DJs now make such an intensive use of the automatic loops and beatlock features, that it's easy to recognise a computer DJ from a traditional DJ just by hearing the way he mixes.Such effects that were once only used by very skilled (and often very famous) DJs are now being extensively used all over the place by beginner computer DJs, to the benefit of their mixes' quality.So, when we searched for the new features we would implement in VirtualDJ 3, we naturally went looking at what other things the famous DJs did that made them stand above the others.One of the answers was that most of them have customised CDs with chosen loops burned in studio, that they use to add gimiks over their mixes during live sets.So we decided to add an easy-to-use on-the-fly sampler to reproduce this feature but without the associated hard work.But again, our expectations were quickly surpassed by what the DJs who tested it did.Most of them find that using such an easy synchronised sampler really opens a new world of possibility for their mixes:Instead of the traditional linear mixes that we're used to hear, with songs coming one after another, one can now produce mixes where in superposition to the linear frame of the set, the crowd will be constantly fed with a succession of random gimiks that they know and recognise, not related to the actual music, but rather being there just to add a new dimension of "melting pot of known songs".The automatic beat-matching and the automatic seamless loops already brought a real change in the way people mix. We really believe that this new sampler will again change the way they mix, or I'd rather say improve it.